{"title":"130 years of AR covers","description":"\u003cp\u003e\u003cspan\u003eTo mark \u003ci\u003eThe Architectural Review\u003c\/i\u003e’s 130th birthday, the editorial team have dived into the archive and curated a series of limited-edition cover prints.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEach fine art, giclée print is produced in a limited edition of just 200 and printed to order on matt, natural white, 350gsm Hahnemühle Museum Etching paper. The prints feature a debossed AR monogram.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003ePrints are available with global delivery – the perfect gift this festive season!\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"entry\"\u003e\n\u003cdiv class=\"factfile\"\u003e\n\u003cp\u003eOrder more than one and receive 10% off or \u003ca href=\"https:\/\/shop.architectural-review.com\/products\/130-years-of-ar-covers-bundle\"\u003epurchase the complete set\u003c\/a\u003e for a special anniversary price\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e\u003ci\u003eAvailable to order from 9 November to 6 December 2026\u003c\/i\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"ar-november-1949-cover-print","title":"AR November 1949 cover print","description":"\u003cp\u003e\u003cspan\u003eLimited-edition print of a cover from \u003ci\u003eThe Architectural Review\u003c\/i\u003e’s archive. \u003c\/span\u003e\u003cspan\u003eThis cover from 1949 features a photograph taken by \u003ca href=\"https:\/\/www.architectural-review.com\/essays\/reputations\/charles-eames-1907-1978-and-ray-eames-1912-1988\"\u003eCharles Eames\u003c\/a\u003e of a brickyard in California. Eames ‘was struck by the impressive shapes and rich patterns formed by the mountains of bricks piled up ready to be fired.’ The image is described in the issue of the AR as ‘a work of architecture in its own right: a mysterious gateway to a separate Babylonian world.’\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEach giclée print is produced in a limited edition of 200 and printed on matt, natural white, 350gsm Hahnemühle Museum Etching paper. The print features a debossed AR monogram.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"The Architectural Review Store","offers":[{"title":"Default Title","offer_id":59133654204799,"sku":"CP26_49_11","price":60.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/7313\/files\/1949_cover_print.jpg?v=1794222178"},{"product_id":"ar-june-1953-cover-print","title":"AR June 1953 cover print","description":"\u003cp\u003e\u003cspan\u003eLimited-edition print of a cover from \u003ci\u003eThe Architectural Review\u003c\/i\u003e’s archive. \u003cmeta charset=\"UTF-8\"\u003eThis cover captures a scene in the Paris studio of \u003ca href=\"https:\/\/www.architectural-review.com\/architects\/le-corbusier\" rel=\"noopener\" target=\"_blank\"\u003eLe Corbusier\u003c\/a\u003e, which a shard of light falling across a recently completed painting and monumental wooden sculpture.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEach giclée print is produced in a limited edition of 200 and printed on matt, natural white, 350gsm Hahnemühle Museum Etching paper. The print features a debossed AR monogram.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003e\u003cspan class=\"Apple-converted-space\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"The Architectural Review Store","offers":[{"title":"Default Title","offer_id":59133729145215,"sku":"CP26_53_06","price":60.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/7313\/files\/1953_cover_print_e36116b7-221f-4c54-adf5-c5f55fbfff26.jpg?v=1794221441"},{"product_id":"ar-september-1956-cover-print","title":"AR September 1956 cover print","description":"\u003cp\u003e\u003cspan\u003eLimited-edition print of a cover from \u003ci\u003eThe Architectural Review\u003c\/i\u003e’s archive. \u003cmeta charset=\"UTF-8\"\u003eThis cover resembles a fantastical facade drawn by Swiss artist Paul Klee in 1924. The issue, published over 30 years later, includes \u003ca href=\"https:\/\/www.architectural-review.com\/essays\/paul-klees-architectural-mirages-are-at-that-distant-point-that-separates-dreams-from-actuality\"\u003ea five-page piece by art critic Robert Melville\u003c\/a\u003e about the relevance of Klee’s work to architects.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEach giclée print is produced in a limited edition of 200 and printed on matt, natural white, 350gsm Hahnemühle Museum Etching paper. The print features a debossed AR monogram.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"The Architectural Review Store","offers":[{"title":"Default Title","offer_id":59133738647935,"sku":"CP26_56_09","price":60.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/7313\/files\/1956_cover_print.jpg?v=1794221161"},{"product_id":"ar-september-1958-cover-print","title":"AR September 1958 cover print","description":"\u003cp\u003e\u003cspan\u003eLimited-edition print of a cover from \u003ci\u003eThe Architectural Review\u003c\/i\u003e’s archive. \u003cmeta charset=\"UTF-8\"\u003eThis photogram by Polish photographic artist Bronisław Schlabs was made by placing objects of different transparencies on photographic paper soaked in developer, and exposing it to the light from a darkroom enlarger. A year earlier, in 1957, the work appeared in Schlabs’ groundbreaking exhibition \u003cem\u003eStep into Modernity \u003c\/em\u003eheld at the Architects’ Club in Poznań in Poland.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEach giclée print is produced in a limited edition of 200 and printed on matt, natural white, 350gsm Hahnemühle Museum Etching paper. The print features a debossed AR monogram.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"The Architectural Review Store","offers":[{"title":"Default Title","offer_id":59133762568575,"sku":"CP26_58_09","price":60.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/7313\/files\/september_1958_cover_print.jpg?v=1794221162"},{"product_id":"ar-january-1971-cover-print","title":"AR January 1971 cover print","description":"\u003cp\u003e\u003cspan\u003eLimited-edition print of a cover from \u003ci\u003eThe Architectural Review\u003c\/i\u003e’s archive. This cover from 1971 features the then recently completed College of Engineering and Science at the Polytechnic of Central London (now the University of Westminster), designed by Lyons, Israel and Ellis.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEach giclée print is produced in a limited edition of 200 and printed on matt, natural white, 350gsm Hahnemühle Museum Etching paper. The print features a debossed AR monogram.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"The Architectural Review Store","offers":[{"title":"Default Title","offer_id":59133830955391,"sku":"CP26_71_01","price":60.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/7313\/files\/1971_cover_print.jpg?v=1794221161"},{"product_id":"130-years-of-ar-covers-bundle","title":"130 years of AR covers set","description":"\u003cp\u003e\u003cspan\u003ePurchase the complete set of limited edition cover prints for a special anniversary price. \u003c\/span\u003e\u003cspan itemprop=\"name\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"content-wrap layout-picture_content\"\u003e\n\u003cdiv class=\"content-inner-wrap\" id=\"wrapper_sleeve\"\u003e\n\u003cdiv class=\"content container\"\u003e\n\u003carticle class=\"post-listing post-358422 post type-post status-draft format-standard has-post-thumbnail hentry category-today editorial-92392 editorial-cover\"\u003e\n\u003cdiv class=\"post-inner\"\u003e\n\u003cdiv class=\"entry\"\u003e\n\u003cp\u003eThe selection of covers was chosen from the AR’s archive of over 1,500 issues. The series showcases work by modernist architect \u003ca href=\"https:\/\/www.architectural-review.com\/architects\/le-corbusier\" rel=\"noopener\" target=\"_blank\"\u003eLe Corbusier\u003c\/a\u003e and artist \u003ca href=\"https:\/\/www.architectural-review.com\/essays\/exhibitions\/facades-to-city-plans-the-architecture-of-paul-klee\" rel=\"noopener\" target=\"_blank\"\u003ePaul Klee\u003c\/a\u003e as well as Californian brickyards, photograms and \u003ca href=\"https:\/\/www.architectural-review.com\/essays\/brutalism\" rel=\"noopener\" target=\"_blank\"\u003ebrutalism\u003c\/a\u003e. \u003c\/p\u003e\n\u003cp\u003eFeaturing a debossed AR monogram, each fine art, giclée print is produced in a limited edition of just 200 and printed to order on matt, natural white, 350gsm Hahnemühle Museum Etching paper. Prints are available with global delivery – the perfect gift this festive season!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"The Architectural Review Shop","offers":[{"title":"Default Title","offer_id":59134364352895,"sku":null,"price":250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/7313\/files\/Margaret_Howell_LINEN1195_TC3.jpg?v=1794221161"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0661\/7313\/collections\/Margaret_Howell_LINEN1195_TC3.jpg?v=1794222585","url":"https:\/\/shop.architectural-review.com\/collections\/130-years-of-ar-covers.oembed?page=2","provider":"The Architectural Review Shop","version":"1.0","type":"link"}